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The paper used for the cover of the “tongue” is a page from an unidentified guide which cites Woodwards Manual of The Mollusca: being a treatise on recent and fossil shells (first print 1851-56). is a publication by the British geologist, paleontologist and naturalist SP Woodward 1821-65.The page appears to concern the genus of fossilized and mostly extinct molluscs and other sea creatures.

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According to a Straits Times article from 23 April 1884.

Liddleow was Manager of a joint stock outfit called Sayle & Co in the 1870’s and 80’s, with branches in Singapore and Penang. Printed in Ilsa Sharp: The Singapore Cricket Club, Established 1852.

Singapore Art Museum 2014." / Nanyang Meadows Text from: GUIDE TO THE INTERIOR OF A CROCODILE (crocodilus porosus) A report by W M Davison, Librarian, Curator and Secretary to the Raffles Library Committee, that was printed in The Straits Times on 11 March 1889 ends by thanking a local taxidermist, L. However, the straw would probably have been imported to Singapore from England or Australia for animal fodder.

Future DNA tests may confirm the origins of this pastoral material, stuffed inside this immense creature of tropical.

When Kate Pocklington of the RMBR opened up the crocodile for conservation purposes, she found that it had been stuffed with wheat straw.

She also found a small, torn up hand-written note inside the crocodile. We not been able to find more information about Fernandiz and it is a little unclear how or why wheat straw was used instead of other local materials for stuffing.

Singapore Art museum 2014" / All the Way Down When Conservator Kate Pocklington opened up this tortoise in order to re-conserve it for exhibition in the new Lee Kong Chian Natural History Museum (opening in the later part of 2014), she found a collection of hundred year old newspaper pages that had been crumpled up inside and used as stuffing.

Singapore Art museum 2014." / Setting up for UNEARTHED at the Singapore Art Museum As we were unsure which chemicals might have been used for the taxidermy of the 4.7 meter crocodile from 1888 we needed to seal off the exhibition space and wear protective clothing when installing the wheat straw." / Setting up for UNEARTHED at the Singapore Art Museum As we were unsure which chemicals might have been used for the taxidermy of the 4.7 meter crocodile from 1888 we needed to seal off the exhibition space and wear protective clothing when installing the wheat straw." / Setting up for UNEARTHED at the Singapore Art Museum Unwrapping the crocodile parts: The “tongue”, the “note” and the “eye”.

We also included a series of newspapers from August 2014 in the bundle we placed inside the tortoise." / Performance at Nature as Practice Conference NUS Museum Sunday 2 August.

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