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The main characters in yaoi usually conform to the formula of the seme (the "top", or dominant figure) who pursues the uke (the "bottom", or passive figure).

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Female authors writing for shōjo (girl's) manga magazines in the early 1970s published stories featuring platonic relationships between young boys, which were known as tanbi (aesthetic) or shōnen ai (boy love).

In the late 1970s going into the 1980s, women and girls in the dōjinshi (fan fiction) markets of Japan started to produce sexualized parodies of popular shōnen (boy's) anime and manga stories in which the male characters were recast as gay lovers.

The term shōnen-ai (boy love) originally connoted ephebophilia or pederasty in Japan, but from the early 1970s to the late 1980s, was used to describe a new genre of shōjo manga, primarily produced by the Year 24 Group of women authors, about beautiful boys in love.

Characteristics of shōnen-ai include exoticism, often taking place in Europe, Jeffrey Angles particularly notes Moto Hagio's The Heart of Thomas (1974) and Keiko Takemiya's Kaze to Ki no Uta (1976–1984) as being groundbreaking, noting their portrayal of intense friendship between males, including jealousy and desire.

In the 1980s, the genre was presented in an anime format for the first time, including the works Patalliro!

(1982) which showed a romance between two supporting characters, an adaptation of Kaze to Ki no Uta (1987) and Earthian (1989), released in the original video animation (home video) format.

These dating sim elements are often referred to as Romance Sidequests in the RPG genre.

Life Simulation Games tend to feature dating sim elements.

Although the yaoi genre is also called Boys' Love (commonly abbreviated as BL), the characters may be of any age above puberty, including adults.

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