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Organized by Rachael Morrison and David Senior The documentation below is a compilation of editorial statements by the artists, designers and publishers of titles in our Library exhibition.We intend for this space to record the authors’ strategies and motives in creating these publications, and to exist as a research resource for those interested in this genre after the show has ended.They are risograph prints in edition of 300, measuring 29.5 x 42 cm (the european paperformat A3).

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Our main project is to see if it is possible to take images out of its original context and force it to say something different, preferably something a bit more radical. Each issue has a theme, although we do not advertise this. Ours is the work of Nature - ALL - revealed to the senses... Ours is the work of loss, the work of ghosts, the work of fire. Bidoun Projects, its umbrella organization, tends to educational and curatorial projects around the world, including the peripatetic Bidoun Library Project.

So far we have covered, Ours is the journey to be... And ALL forms are to serve BEAUTY with our BODIES towards a perfect THEATER. is an award-winning quarterly magazine of art and culture based in New York that confounds expectations of what is typically meant by the words “art,” “culture,” and sometimes even “magazine.” Its hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal to create a sourcebook of ideas for an eclectic international audience of readers, from artists and designers to scientists, philosophers, and historians.

There are connections to the past lineage of artists’ magazines and the little architecture and design magazines of the twentieth century, as well as unique applications of new image-editing and printing methods.

Assembled here, these contemporary magazines provide a firsthand view of the latest practices in art and design in print and represent Mo MA Library’s sustained effort to document and collect this medium.

Central to the project is the idea that the value of art can exist independently of money and irrespective of rarity.

A3 is a series of free poster-booklets that each feature one image from what we consider some of the worlds most interesting young photography-based visual artists.

— in 1999 out of the Brussels based artists’ collective “Etablissement d’en Face”. Indeed, as spirals are to the winds and silence is to rain, we are Cahun’s bell jar at Ghibertti’s door.... The idea behind this endeavor is to make a magazine that will educate and inform openly and without the social or financial restrictions that plague many publications today.

From the outset, it has been the magazine’s aim to emphasize close collaboration with artists and authors and to create unique moments and documents, so as to bring forward the depth and breadth of artistic practice, rather than publishing short reviews or brief descriptive articles. Our goal is not to focus on current events or “who’s hot” but rather to bring forward people and phenomena that deserve acknowledgment and coverage regardless of their place in time.

In monothematic issues, socio-political criteria are applied to concrete examples and questions of space and architecture. "For too many people, being happy at home is pretty much an abstract idea, something they can’t know or imagine, until it appears on some taste maker’s must-have list, or in a magazine, or reposted on Tumblr.

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